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Sarah Cook

Sarah Cook is a Canadian scholar, historian and curator in the field of New Media art, who is based in Newcastle upon Tyne. Cook is a Research Fellow at the University of Sunderland, where she works with the research institute CRUMB – Curatorial
Anne-Sarah Le Meur

Artist: Anne-Sarah Le MeurComment:
Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale 2001

Milroy, Sarah. Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale The Globe and mail (December 29th 2001).
A Brief History of Working with New Media Art - Conversations with Artists 2010

Graham, Beryl and Sarah Cook. A Brief History of Working with New Media Art - Conversations with Artists. Berlin: The Greenbox, 2010.
ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND 2008

Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND. Halifax: TUNS Press and Riverside Architectural Press, 2008.
RESPONSIVE TEXTILE ENVIRONMENTS 2007

Bonnemaison, Sarah and Christine Macy and Rob Gorbet and Philip Beesley, ed. RESPONSIVE TEXTILE ENVIRONMENTS. Halifax: Riverside Architectural Press and TUNS Press, 2007.
ON GROWTH AND FORM: THE ENGINEERING OF NATURE, Conference, October 5-7, 2001 2001

... OF NATURE, Conference, October 5-7, 2001. Waterloo, Ontario: University of Waterloo School...
Quasar 2.0: Star Incubator 2012 - 2012

Quasar 2.0: Star Incubator (Q2:SI) is an immersive interactive light and sound installation. Providing a spatial reflection of renewing and evolving life-cycles, the Q2:SI body is conceived of an array of structural prototype elements, electronic
The Sarah Palin Memorial Library 2010

Neidich, Warren. The Sarah Palin Memorial Library. East Hampton, New York: Glenn Horowitz Books, 2010.
Inner Voices 2013

Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of

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