Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
…
(more)
94
95
96
97
(current)
98
(more)
303
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Kunst und Sehen: Eine Psychologie des schöpferischen Auges
1978
Arnheim, Rudolf. Kunst und Sehen: Eine Psychologie des schöpferischen Auges. : De Gruyter, 1978.
Kool Killer oder Der Aufstand der Zeichen
1978
Baudrillard, Jean. Kool Killer oder Der Aufstand der Zeichen. Berlin: Merve, 1978.
Ways of Worldmaking
1978
Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.
Die Macht der Computer und die Ohnmacht der Vernunft
1978
Weizenbaum, Joseph. Die Macht der Computer und die Ohnmacht der Vernunft. Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1978.
Computerkunst
1978
IBM Deutschland GmbH, ed. Computerkunst. Stuttgart: IBM, 1978.
Digital Mudra
1987
-
1987
"Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their
eyesoflaura.org
2006
-
2006
In Irvin Kershner's movie "Eyes of Laura Mars" from 1978, photographic artist Laura Mars experiences visions of the murder of her friends and colleagues as seen through the eyes of the murderer. The protagonist of Janet Cardiff's internet
Unimaginable Images
1978
Molnar, Vera. Unimaginable Images Computer Graphics and Art 3, no. 2 (May 1978): 31.
Siggraph 1978
1978
-
1978
Event: Siggraph 1978Institution: ACM SiggraphComment:
Lorna
1979
-
1982
video
LORNA 1979-1983 A.D. A.D. "A precondition to video is that it does not talk back. It absorbs, rather than reflects." Preliminary Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two
1
…
(more)
94
95
96
97
(current)
98
(more)
303