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  • Points of View I video
    ... character. This constellation of signs was used to articulate a world model with an underlying set of physical and...
  • Scott Sona Snibbe
    ...Scott Snibbe is a pioneering digital artist and entrepreneur whose work includes apps, video, and interactive installations. His art is in the...
  • Jelena Guga
    ...Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined...
  • Points of View II - Babel
    ... but with a differing content.In BABEL hieroglyphs were used to articulate a psychological architecture - a hierarchical edifice that...
  • Between the words -
    ... they interactively manipulate surrogate virtual hands to articulate a nonverbal yet eloquent dialog. (A. Hegedüs)
  • Erkki Huhtamo
    ... and Pittsburgh (an edited version can be watched on the Internet). The lecture-performance Panoramas in Motion: Reflections on... of California Los Angeles (UCLA), Departments of Design Media Arts, and Film, Television, and Digital Media. He received his Ph.D....
  • Blast -
    ... of this medium as it intertwines with emerging communications networks. Situating itself at the interstices, it embraces content... the site of enormous conflicts. The new agenda for Blast is to articulate and embody the agents and forms of this struggle,...
  • Desert rain -
    ... in the piece the virtual environment was unexpectedly penetrated by a real performer who slowly emerged through the rain screen... and Row Farr in Leeker, 2001: 744), Desert Rain ‘attempts to articulate the ways in which the real, the virtual, the fictional and...
  • Dreams Rewired
    ... (and often unseen) archival material from nearly 200 films to articulate the present, DREAMS REWIRED reveals a history of hopes to...
  • Timo Kahlen
    ... “Timo Kahlen: Immaterials. Holding My Breath. Sculpting Sound. Net Art. Works with Wind. Light & Shade. 1986-2021“ (Senate for Culture... Sound sculptor and media artist Timo Kahlen (*1966) chooses to work with the ephemeral: with wind and steam, with light and shade, with pixels...
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