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Grau, Oliver. Die visuelle Zukunft. Medienkunst - so vielseitig wie noch nie In DGPh intern (Deutsche Gesellschaft für Photographie), Vol.28. , 9 - 11. : 2005.

Grau, Oliver. A história da telepresenca: automatos, ilusao e a rejeicao do corpo In Corpos Virtuais, edited by Ivana Bentes, 112-117. Rio de Janeiro, Brazil: Centro Cultural Telemar, 2005.

Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.

Grau, Oliver and Ernst Strouhal. Phantasmagorischer Bildzauber des 18. Jahrhunderts und sein Nachleben in der Medienkunst In Rare Künste: Zur Kultur- und Mediengeschichte der Zauberkunst, edited by Brigitte Felderer, 461 - 480. Wien: Springer

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:

Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science a minima 13 (2005): 114-123.

Cadet, France. 10 places on "rue Paradis" In Art au paradis - exhibition catalogue, Marseille, FR: 2009.

Cadet, France. Art Embodies A-Life: The VIDA Competition Leonardo 41, no. 1 (2008).

Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).

Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.