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  • Event: "50 YEARS OF ELECTRONIC MUSIC AND AUDIOVISUALS ATTHE FOLKWANG UNIVERSITY OF THE ARTS"Institution: Folkwang University of the Arts EssenComment:
  • A Gonzalez-Carsolio and AA Velasco-Medina and AL Burbano-Ceron and G Velazquez-Samano. LATEX EXPOSURE AND ALLERGY ANNALS OF ALLERGY ASTHMA & IMMUNOLOGY (NOVEMBER 2012): A82-A82.
  • Incubator (with Tao G. V. Sambolec)
  • A 442 Hz. - video
    Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
  • CHAOS [Sonat 1.0, Movement 1.0] is an art project by Sameh al Tawil 2021, which focuses on the visualisation of sound data. The artist is improvising live piano sounds that are developed for a 2D/3D visual/s generation and responses, these produce
  • What would life be like if it were made from computer algorithms rather than flesh and blood? Artificial Life is the name given to the simulation of natural forms and processes using materials other than those found in nature. It is not so much a
  • bubbles -
    Interacting with virtual bubbles is quite simple...you just walk in front of the projectors light beam and cast your shadow onto the projection screen. The bubbles will recognize this shadow and bounce off its outlines, at the same time emitting
  • David R. Burns takes an interdisciplinary approach to creating digital media art by combining 3D computer modeling and animation, digital video, sound design, and physical computing to push the boundaries of artistic expression. His creative work
  • Char Davies is internationally recognized for pioneering artworks using the technologies of virtual reality. Originally a painter, she transitioned to digital media in the late-80s, becoming a founding director of the 3-D software company Softimage.
  • What is the condition of the art object in the age of networking and telematics? The piece entitled Dialogical Drawing, 1994, by Eduardo Kac, addresses this question by presenting two identical objects simultaneously at two distinct exhibition