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  • ... a digital photo of Birlinghoven Castle, the CM-5 displayed a grid of twenty mutations of the original image. The process was interactive: using the mouse, we could cross one variant with another. The algorithm manipulated the RGB color values of each pixel,...
  • BIOS 4 -
    ...EFINITIONS AND TOOLS Artbiotics - beyond the contemporary: art, biology and environment in the 21st century. Artbiotics is an open interactive and semantic plataform dedicated to biotech and enviromental art. Artbiotics is a work in progress. It will evolve...
  • BIOS -
    ... virtual and the real and its connection to the viewer. For this purpose, the artists use cutting-edge technology to create interactive works reflecting and questioning the increasing dependency on tools. At the same time, the duo challenges conventional...
  • ...Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science Fiction, International...
  • ...Ahmedien, Diaa. Bio-pixels: A stem cell-based interactive–generative interface designed to redefine technologies of self-making in new media arts. Convergence: The International Journal of Research into New Media Technologies https://doi.org/10.1177/1354856519890096...
  • ...Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the San Francisco Art...
  • ...BICYCLE TV is a rider controlled real-time video tour of a scenic landscape in the Canadian countryside. This interactive installation consists of a 1950's style bicycle with a colour monitor (mounted in front of the bicycle facing the cyclist), a laserdisc and...
  • ...Kac, Eduardo. Beyond the Screen: New Directions in Interactive Art Blimp: Film Magazine 40 (1999): 49-54.
  • Beyond Pages -
    ... of Germany in Bonn from September 5 through November 2, 1997. Credits: Concept and realisation: Masaki Fujihata Genre: interactive environment Hardware: Power Macintosh 8100/100 AV 2 LCD-projectors, powered speakers Wacom Digitizer Tablet ,...
  • ...Thiel, Tamiko. Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives In Conference Proceedings for Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2004), edited by Stefan Göbel, 246-251. Berlin/Heidelberg: Springer, 2004.