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  • Paul Sermon - Holder of ZKM Stipend 1993
    Morse, Margaret. Paul Sermon - Holder of ZKM Stipend 1993 .
  • Paul Sermon in Interview at the Ars Electronica Center Linz
    Sermon, Paul. Paul Sermon in Interview at the Ars Electronica Center Linz .
  • Paul Thomas
    Dr Paul Thomas, is Professor of Fine Arts at, UNSW Art and Design, UNSW Sydney. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference series since 2010. In 2000 Paul instigated and was the founding Director of the Biennale...
  • Paul Vanouse
    Paul Vanouse is a biomedia artist based in New York. He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). He is a Professor of Visual Studies and Co-Director of Emerging Practices at the University...
  • Paul Vanouse - Fingerprints
    Vanouse, Paul and Simon A. Cole and Jens Hauser and Hans-Jörg Rheinberger. Paul Vanouse - Fingerprints. Germany: Jens Hauser and Heike-Catherina Mertens, Schering Stiftung, 2011.
  • Paul Vanouse - Fingerprints... Index - Abdruck - Spur
    Hauser, Jens. Paul Vanouse - Fingerprints... Index - Abdruck - Spur. Berlin: Argobooks, 2011.
  • Paula Perissinotto
    Paula Perissinotto is an accomplished and experienced curator and festival organizer who has made significant contributions to the field of new media, contemporary art, and digital culture. Her work with the FILE International Festival of Electronic...
  • Paula Strunden
    Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work...
  • Pause and Effect: The Art of Interactive Narrative
    Meadows, Mark Stephen. Pause and Effect: The Art of Interactive Narrative. San Francisco: New Riders Press, 2002.
  • Pavilion of Dreams: FOREST -
    Notes on Preliminary Plan and Accompanying Images.
    • The public enter through a gently curved corridor allowing time for their eyes to adjust to the low light level and obscuring the view ahead of the Forest.

    • Choice of paths to give a...
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