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Malina, Roger F.. Digital Image - Digital Cinema: The Work of Art in the Age of Post Mechanical Reproduction In Digital Image, Digital Cinema: SIGGRAPH´90 Art Show Catalog, Vol.3. Leonardo. Supplemental Issue, , 33-38. Cambridge, MA: MIT Press,

Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.

Gere, Charlie. When New Media Was New In New Media Art: Practice and Context in the UK, 1994-2004, edited by Lucy Kimbell and H. Cadwallader, 46-63. Manchester: Cornerhouse Publications, 2004.

Hill, Leslie and Helen Paris. Guerilla Performance and Multimedia Handbook. London, New York: Continuum, 2001.

Weibel, Peter. The Intelligent Image: Neurocinema or Quantum Cinema? In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 594-601. Cambridge, MA: The MIT Press, 2003.

Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley, CA: University of California Press, 1994.

Malina, Roger F.. Art in Space Leonardo Supplemental issue (1990).

Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:

Diebner, Hans and Timothy Truckerey and Peter Weibel, ed. Sciences of the Interface: Proceedings of the International Symposium, ZKM_Karlsruhe, May 18 - 21, 2000. Tübingen: Genista Verlag, 2001.

Nechvatal, Joseph. Frank Popper and Virtualized Art Tema Celeste Magazine 101 (Winter 2004): 48-53.