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Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials
2014
Thiel, Tamiko. Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 31-60. Cham:
Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality
2019
Moore, Lila. Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].
The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic Diatoms
2008
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2008
Event: The Autotelematic Spider Bots, Augmented Fish Reality, Our Daily Dread, Farm Fountain and Machinic DiatomsInstitution: Purdue University GalleriesComment:
ISMAR 2011: 10th IEEE International Symposium on Mixed and Augmented Reality
2011
Event: ISMAR 2011: 10th IEEE International Symposium on Mixed and Augmented RealityInstitution: Congress Center BaselComment:
From Augmented Reality to Extended Art
2012
Event: From Augmented Reality to Extended ArtInstitution: H2H Lab days, Le104, Comment:
2019 “Eve Clone Augmented Reality”, QCC Art Gallery, CUNY, New York, USA
2019
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2019
2019 “Eve Clone Augmented Reality”, QCC Art Gallery, CUNY, New York, USA
recombinant - the techn(o)rganic body
2003
video
Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
Augmented Interventions: Re-defining Urban Interventions with AR and Open Data
2018
McGarrigle, Conor. Augmented Interventions: Re-defining Urban Interventions with AR and Open Data In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 115-130. Cham: Springer, 2018.
Substance
2002
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2002
Richard Brown, Alan Dunning and Paul Woodrow Curated by Michael Alstad and Camille Turner InterAccess Electronic Media Arts Centre in partnership with Subtle Technologies and Year Zero One present Substance, an exhibition of interactive
BEAP 2002: PREMISE
2002
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2002
BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
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