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Delvaux's Dream
1998
-
1999
Paul Delvaux's paintings belong to a completely different art world to Lissitzky's Prouns : in the early twenties, when the Rus
sia
n artist was exploring suprematist aesthetics, the Belgian painter was executing figurative land
sca
pes. The
Falling pixels
2007
-
2007
It is difficult to watch a man falling from the world trade centre without attempting to track down evidence of something between the indescribable and the unthinkable. Beyond the symbolism of the event, the in
sta
nt touches on another of our fears.
Making of Eve Clone Documentation I/1-10 Head and Hands
2019
-
2019
For Making of Eve Clone Documentation I series, I overlap both head and hand part of Leonardo Da Vinci’s manuscript with the line sketch and grid of Eve Clone’s head and hand part in order to accentuating the golden ratio of Eve Clone. Although
Marc Lee
Marc Lee i
s a
Swis
s a
rtist. He uses contemporary art a
s a
vehicle to continuously redefine how we see ourselve
s a
nd the world around us. He is experimenting with information and communication technologie
s a
nd within his contemporary art practice, he
Ale
ssa
ndro Ludovico
Ale
ssa
ndro Ludovico i
s a
n artist, media critic and editor in chief of Neural magazine since 1993. He has published and edited several books, and has lectured worldwide. He's one of the founders of Mag.Net (Electronic Cultural Publishers
Robert Nideffer
American digital artist. His work has been exhibited at a variety of national and international venues including the Museo Nacional Centro de Arte in
Spa
in; the Laguna Art Museum in Laguna Beach, California; the Museum of Modern Art in New York,
Natural Digital
2012
-
2012
Event: Natural DigitalInstitution: AccentureComment:
There`s no Simulation like Home
1999
-
1999
This in
sta
llation entitled There's no simulation like home is the culmination of artistic telematic re
sea
rch since 1992. The exterior of the in
sta
llation resembles the back of a plasterboard
sta
ge set, or as if the bricks of a house had been
IDfone
2005
-
2005
Interactive digital video in
sta
llation, variable size IDphone evoke
s a
n ambivalent conjunction between the Freudian notion of the Id, contemporary I.D. systems (biometrics) and a video-phone gone wrong. Employing digital "mirrors" that reflect
LEDA MELANITIS
2014
-
2020
video
A HUMANISED BUTTERFLY NAMED LEDA MELANITIS Yiannis Melanitis physical information exhanges between organisms The terms ‘‘gene,’’ ‘‘organism,’’ and ‘‘species’’ have been used in a wide variety of ways, in a wide variety of contexts. Anyone who
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