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M.A.S.S. (Massive Attack Sound System)
2019
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2019
Event: M.A.S.S. (Massive Attack Sound System)Institution: _Un Espacio Contemporary Architecture and Sculpture centreComment:
"50 YEARS OF ELECTRONIC MUSIC AND AUDIOVISUALS ATTHE FOLKWANG UNIVERSITY OF THE ARTS"
2021
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2021
Event: "50 YEARS OF ELECTRONIC MUSIC AND AUDIOVISUALS ATTHE FOLKWANG UNIVERSITY OF THE ARTS"Institution: Folkwang University of the Arts EssenComment:
1985 Summer Show
1985
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1985
Micro Arts Group works by Geoff Davis shown on a continuous display. Works show were MA1 "Abstract Originals" (generative graphics with colour control) and MA4: Story Generator (text story generator based on short story Cow Boils Head)
Bodies as Border: Traces and Flows of Connection
2022
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2022
Event: Bodies as Border: Traces and Flows of ConnectionInstitution: Urban Screen, Surrey Art GalleryComment:
Constructing Contexts, Art Machines 2
2021
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2021
Event: Constructing Contexts, Art Machines 2Institution: City University Hong KongComment:
Data Fiction: Cairotronica’s 3rd Edition
2021
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2021
Event: Data Fiction: Cairotronica’s 3rd EditionInstitution: cairotronicaComment:
8-Bit
2021
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2021
Popular exhibition of 8-bit technology art featuring Micro Arts 1980s work, showing live generative art, along with 30 prints, displays of 1980s technology such as micro computers, data cassettes, and more. With Sean Clark's interactive audio-visual
Micro Arts Group - Computer Arts Archive/EVA, BCS Moorgate London
2022
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2022
Exhibition of 20 Micro Arts Group prints, including generative art from Geoff Davis and Martin Rootes, and a story generator by Geoff Davis. The print magazine was also shown, which had the first ever view of Quantel art, by French artist Michèle
Untitled & Untied
2020
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2020
Installation that utilizes machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. This algorithmic discrimination system tears apart
Zonas de contactoArt History in a Global Network
2022
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2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
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