Search

Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.

The Postproduction of Presence 2009

Amerika, Mark. The Postproduction of Presence http://www.immobilite.com/extras/immobilite.pdf.
The Potential Thief 2006 - 2006

New performance installation exploring the relationship between the individual and cinematic image. Performers and audience members negotiate one anothers movements as they copy excerpts from films. Three audience members are asked to join each
The Power of the Images: Studies in the History and Theory of Response 1991

Freedberg, David. The Power of the Images: Studies in the History and Theory of Response. Chicago, IL: University of Chicago Press, 1991.
The Practice Of Everyday (Media) Life 2008

Manovich, Lev. The Practice Of Everyday (Media) Life http://manovich.net/index.php/projects/the-practice-of-everyday-media-life.
The Practice of LightA Genealogy of Visual Technologies from Prints to Pixels 2014

Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.
The Preservation of Entropy 2001 - 2001

A time-based work on decay and energy presented in 6 museum vitrines arranged in a triangle, containing 3 alchemical flasks of acid, alakaline and base each with 3 rods of copper, iron and aluminium connected to 3 old IBM Dos computers, their
THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley 2006

Polo, Marco, ed. THE PRIX DE ROME IN ARCHITECTURE: A RETROSPECTIVE with images and drawings by Philip Beesley. Toronto: Coach house Books, 2006.
The Project Room For New Media and Performing Arts
The Psi-bernetic Arch 1970

Ascott, Roy. The Psi-bernetic Arch Studio International April (1970): 181-182.
The Psychobiology of Emotions 1988

Thompson, Jack George. The Psychobiology of Emotions. Wien, New York: Springer, 1988.

Search results 9431 until 9440 of 10829

Archive Search