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Simon Penny: Sympathetic Sentience 1995 - 1995

Event: Simon Penny: Sympathetic SentienceInstitution: Galerie Samuel LallouzComment:
William Kentridge: Black Box / Chambre Noire 2005 - 2006

Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
Galerie Samuel Lallouz
Worldmaking as Techné: Participatory Art, Music, and Architecture 2018

Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.
Metroscopes 2004 - 2014

... displays create additional readings indicating the rise and fall of comment about each of...
Annabel Castro

Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
Die Differenz zwischen Malerei und Medien 1989

Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.
Without Firm Ground – Vilém Flusser and the Arts 2015 - 2015

... influential thinkers to deal with communication and media in the 20th century. Flusser...
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Esslingen: Edition Cantz,
Aynı Anda Her Yerde / Ubiquity 2021 - 2021

online video screening

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