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Transitional Spaces
1999
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1999
Transitional Spaces consists of three installations: Garden, Light Behaviours and Wheel of Fortune. A blurred image of a garden begins to oscillate when someone enters into the motion sensing camera's field of vision. The image becomes more
Timo Kahlen: in medias res
2020
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2020
... visual projections. See a signature do
cum
entary (HD video, 24:24 min, stereo) of Timo...
Timo Kahlen: UR, 2006
2006
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2006
... visual projections. See a signature do
cum
entary (HD video, 24:24 min, stereo) of Timo...
Water Lily Invasion
2016
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2016
As global water levels and temperatures rise, plants and animals are mutating to adapt. Strange new creatures are arising at the interstices between plant and animal, questioning and transgressing the boundaries of what is considered to be reactive
Stream I Stream II
2003
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2003
... and such-like. Stream is both an unen
cum
bered interactive immersive installation and a...
Brigitte Neufeldt
Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
Audio Dust
2011
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2011
... visual projections. See a signature do
cum
entary (HD video, 24:24 min, stereo) of Timo...
Loogie.net TV - Be the first to know!
2003
Interactive online news channel "Be the first to know - watch Loogie.net" «Loogie.net TV» shows you the latest world news about the subjects you choose. By putting in keywords with a special remote control or by SMS you can determine which subjects
Homefront
2005
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2005
HOMEFRONT Surveillance, monitoring, and tracking technologies are not only media of control; they are media of self-reflection and self-awareness. There is a reciprocity between the way that control technologies function and the way that identity
A 442 Hz.
2013
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2022
video
Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
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