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A human sized real kaleidoscope creates colorized feedback patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.

...In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to its own amplifier...

... the spectator moves her head during this process then radially patterned distortions are created. In this way the spectators interactively play with fleeting concentric deformations of their own reflection.

... "+" at 45° , an airborne position for a flight. It is developed using the PHIGS (Programmer's hierarchial Graphics) Interactive Software and implemented on the IBM 5080. This artwork was the cover design of the Proceeding of the Information...

...Echoing Narcissus is an interactive sound-sculpture in the form of a well, covered in copper sheet and printed circuit boards. It is a re-telling of Ovid's myth of Narcissus and Echo. All sounds made in the proximity of the sculpture are lowered in frequency and...

..."Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their emotional/physical state, were...

... research projects New Media in Urban Planning and The Digital Model House, remarkable scenarios were conceived. The interactive city simulation Berlin-Cyber City (1989) took visitors into the past and future of Berlin after the fall of the Wall....

... of blue lights along the floor defined a path from the entrance area to the screen. The visitor walking towards the screen interactively controlled a sequence of transformations in the image and sound. The sequence of digitally processed images was derived...

... the museum space - this image is overlaid on his view of the real environment. By pushing the handles, the spectator can interactively control the rotation of the column and the movement of this virtual image. Sound and image are interactively accessed...