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Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.

Lange, Andreas. Extra Life. Über das Sterben in Computerspielen In game_over. Spiele, Tod und Jenseits, edited by Arbeitsgemeinschaft Friedhof und Denkmal e.V., 93-104. Kassel: Zentralinstitut und Museum für Sepuralkultur, 2002.

Hsin Hsin, Lin. Building An Ultimate Art Museum on the Web In Museums and the Web 1997: Proceedings, edited by D. Bearman and J. TrantLos Angeles, California: Archives and Museums Informatics, 1997.

Paterson, Nancy. Curly, Larry and PoMo In Vision Ruhr, edited by Westfalisches Industriemuseum Zeche Zollern II/IV and Dortmund Museum am OstwallOstfildern-Ruit: Hatje Cantz, 2000.

Rehn, Alf. A Time of Their Own: Curating the Corporate Event museumuseu newsletter 2, There is time in the museum 2 (2007).

Laposky, Ben, ed. Electronic Abstractions. Cherokee: Stanford Museum, 1953.

Beesley, Philip. THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art. Toronto: Thistle Printing, 2002.

Lin Hsin Hsin. @art : A Cyberart show by Lin Hsin Hsin, ISBN: 978-981-00-9877-3, http://www.lhham.com.sg/15solo/15ctlg.html. Vol.1. 1 th ed.SIngapore: Lin Hsin Hsin Art Museum, 1997.

Lin Hsin Hsin. Perception Based Art, eBook, ISBN: 978-981-07-0662-3. Vol.1. 1 th ed.Singapore: Lin Hsin Hsin Art Museum, 2011.

Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision In See This Sound - Audiovisuologies 2, edited by Lentos Museum and Ars Electronica and Ludwig Boltzman InstitutKöln, DE: