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  • Fernando Orellana
    Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
  • Vera Molnar - Transformations. Exhibition Catalogue
    The Concourse Gallery, ed. Vera Molnar - Transformations. Exhibition Catalogue. London: Polytechnic of Central London, 1976.
  • Théorie de l'art sociologique
    Fischer, Hervè, ed. Théorie de l'art sociologique. Paris: Casterman, 1976.
  • Bradford W. Paley
    W. Bradford Paley uses computers to create visual displays with the goal of making readable, clear, and engaging expressions of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His
  • Julius Popp
    Julius Popp (born 1973) is an artist based in Leipzig and New York. Popp was born in Nuremberg. His work often uses technology,[1] resulting in interdisciplinary ventures which reach across the boundaries of art and science.[2] An example of
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Siggraph 1976 -
    Event: Siggraph 1976Institution: ACM SiggraphComment:
  • DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001) -
    Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
  • Environmental Media Studies -
    Environmental Media Studies explored new ways of representing landscape and place. Moving Movie #1 (1977) was an inexpensive modest study made at MIT. I was obsessed with why movie cameras move and movie projectors don’t, and filmed the Boston
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