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  • Leavitt, Ruth. Artist and Computer. Artist and Computer (1976).
  • Weibel, Peter. Transformationen des Films In Die Schatten im Silber. Österreichische Avantgard-Filme 1976-1987, edited by Lisl Ponger and Wolfgang Drechsler, 8-9. Wien: Museum des 20. Jahrhunderts, 1987.
  • Chiara Passa, visual artist (Rome 1973) working in media art since 1997. I am graduated (M.F.A.) from the Fine Arts Academy of Rome; Master in audio-visual media at the Faculty of Modern Literature. Lived around for several years. Now I am living
  • Dan Sandin is a media inventor, artist and educator.Is Professor Emeritus of the School of Art & Design, University of Illinois at Chicago, and Co-director of the Electronic Visualization Laboratory at the University of Illinois at Chicago. Among
  • Kolomyjec, William. The Appeal of Computer Graphics Artist and Computer (1976): 45 - 51.
  • The Concourse Gallery, ed. Vera Molnar - Transformations. Exhibition Catalogue. London: Polytechnic of Central London, 1976.
  • Fischer, Hervè, ed. Théorie de l'art sociologique. Paris: Casterman, 1976.
  • Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the
  • In 2011 a kinetic installation for the deutsche bank headquaters in Frankfurt had been realized on the basis of an anamorphic distortion of their logo. The logo had been designed by anton Stankowsky in 1974 and was a radical step towards simplicity