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On Sylvia Grace Borda's Camera Histories 2016

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
On Sylvia Grace Borda's Camera Histories 2016

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 2005

Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].
On the Artists Works (Ulrike Gabriel) 1997

Gogota, Hisanori. On the Artists Works (Ulrike Gabriel) Online Publication (1997).
On the development of netzspannung.org 2005

Fleischmann, Monika and Jean-Francois Guiton and Mona Schieren. On the development of netzspannung.org In Present Continuous Past(s): Media Art, Strategies of Presentation, Mediation, and Dissemination, edited by Ursula FrohneDOI:...
On the Edge 2006 - 2006

Event: On the EdgeInstitution: Aarhus Center for Contemporary ArtComment:
On the map: Artist Interview with Sylvia Grace Borda 2004

Komori, Miyuki. On the map: Artist Interview with Sylvia Grace Borda Oops Magazine Tokyo, Japan (2004).
on the nature of things 2009 - 2009 video

comprises five video projections which atmospherically depict and re-interpret our habitat. In the exhibition space five projections are set up like a landscape. Each of these projections represents one aspect of the manifestation of nature as...
On the North Pole Looking East 1990 - 1990

A frame from the stereo animation A Volume of 2- Dimensional Julia Sets.
This animation (like most computer animations) took up to 30 minutes per frame to render, 54,000 times slower than real time. In the early 1980s (with the exception of space...
On the Notion of Art as a Visual Dialogue 1992

Kac, Eduardo. On the Notion of Art as a Visual Dialogue In Art-Reseaux, edited by Karen O´Rourke, 20-23. Paris: Université de Paris I, Panthéon-Sorbonne, 1992.

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