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On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object World 1992 - 1992

Event: On Justifying the Hypothetical Nature of Art and the Non-Identicality within the Object WorldInstitution: Galerie Tanja GrunertComment:
On Line, Life Line, Art Shifts 2002

Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
On Location 2017

A hybrid form of landscape cinema capturing the year of an unnamed hollow way that forms the stream bed for several springs in a remote area of rural mid-Devon, Britain. Made in collaboration with the cinematographer and sound recordist Stuart Moore,...
On Location 2017

Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).
On Location: Kayla Parker 2017

Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January...
On Location: landscape cinema and digital memory 2017

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
On Mathematical Analysis of Style 1952

Fucks, Wilhelm. On Mathematical Analysis of Style Biometrika 39, no. 1/2 (April 1952): 122 - 129.
On physiological computing with an application in interactive art 2004

Everitt, Dave and Ernest Edmonds and Michael Macaulay and Greg Turner. On physiological computing with an application in interactive art Interacting with Computers Volume 16, Issue 5, no. https://doi.org/10.1016/j.intcom.2004.08.003 (October 2004):...
On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? 2013

Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven Oei,...
On sight 1991 - 1991

An interactive digital video projection installation
1 large scale projection, colour, silent 10 x 12 x 6 metres

The position of the viewer in front of the image controls the activity of the various objects on the screen. At the bottom of the...

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