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Multiplicity N°19
1996
-
2001
These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object. A black square. Lines without a vanishing point, 119 in number. Phases of a self-portrait. Light
Biocybrid Ouroborus: Ecstasys Geographisms
2012
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2012
11 Habana Bienial
Gone Garden VR Experience
2018
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2018
A tropical garden in Singapore - not as it exists in a photorealistic representation but in our vision and in our memory: The Yunnan garden on NTU campus is currently undergoing redevelopment. Its design was inspired by Chinese Garden architecture
Decision Disc N°1
2012
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2012
Are you confronted with a difficult choice? Don't you know wether to do something or not? Then pose your question, play the record and you'll easily find the right solution! As soon as a coin is flipped into the air, as soon as the dice is thrown,
Eternal Return N°1
2012
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2012
video
How can Nietzsche’s fear of the Eternal Return made comprehensible, even if it may fallen victim to wrong interpretation? Elke Reinhuber's approach to explicate this problem is a vinyl record of an endlessly reiterating sound, which emphasises the
Profilneurose
2004
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2004
'A profile like a witch' – I often thought when looking in the mirror, or when my shadow flits past me. Cosmetic surgery promises a remedy. But does that make us happier, better, more beautiful, more lovable? First the nose, then the chin, a bit
Message from A.
2010
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2010
In this personal work, a message received on my answering machine is visualised to be understandable. Due to technical issues (the sender called from an iPod without a microphone input) the message was transferred into keypad signals (2=ABD,
Liminal Spaces
2015
video
Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
Digital Accidents
2013
Series of 3D prints in polymer additive plaster, highlighting the interrelation between real objects and their 3D virtual counterparts. The 3D print "Inevitable Beauty" is subjected to a temporal maelstrom in its fabrication, while "Compulsive
[In code]
2012
video
The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
1
…
(more)
909
910
911
912
(current)
913
(more)
1047