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Lagoogleglyph IV
2018
Lagoogleglyph 4 is a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by
Lagoglyphs: The Lepus Constellation Suite
2009
These five lagoglyphic messages were transmitted towards the Lepus Constellation (below Orion) on March 13, 2009 from Cape Canaveral, Florida. Based upon its stellar characteristics and distance from Earth, Gamma Leporis (part of the constellation
Monogram
1996
August 22, 1997 (Kennedy Space Center, Florida)— A Jet Propulsion Laboratory technician inserts the DVD containing Kac's Monogram and many other files into a shallow cavity between two pieces of aluminum that protected it from micrometeoroid
Spacescapes
1989
In 1989, Eduardo Kac transmitted from Chicago his artwork Spacescapes via slow-scan television simultaneously to Pittsburgh (to the DAX Group) and to Boston (to a group led by Dana Moser). The transmission took place in the context of the Three-City
Ágora
1986
Holopoem conceived to be sent in the direction of the Andromeda galaxy (not launched)
Osmoboxes
2014
"An Osmobox is a work of olfactory art that responds to the presence of the viewer by opening itself and gently releasing an aroma. All Osmoboxes are visually identical but completely distinct in their olfactory identity. This means that the viewer
Aromapoetry
2011
"Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
Early Performances
1980
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1982
In the early '80s Eduardo Kac gave weekly performances on the streets of Cinelandia, the Bohemian center of Rio de Janeiro. He also performed at theaters, galleries, and on beaches. He concluded his performance project with a celebration of the
Escracho (Artist's Book)
1983
Escracho is an artist's book conceived, designed, and produced by Eduardo Kac in 1983 in Rio de Janeiro. It includes contributions from artists and writers from several countries in a variety of forms (visual poetry, essay, cartoon, collage, graphic
Mixed Media (1982 - 1984)
1982
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1984
To enhance his performances, presented between 1980 and 1982 in Rio de Janeiro and in other Brazilian states, Kac started to produce visual texts, small sculptures, graffiti, and other kinds of images and objects. After the conclusion in 1982 of his
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