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... the screen embodied a virtual journey through a set of images that had been architectonically mapped into the installation space. This convergence of an exoteric and an esoteric journey reiterated the conjunction of profane and sacred allusions presented...

... filming, then use the data to control the movement of the projected image. The result was a movie that could move around a space in any direction, based upon the original camera movement.

... the concept is to place some of the members or objects of Lautriv's community in "neuralgic points" (museums, cultural spaces, etc.) of the world and to interconnect them to an electronic network, always interacting through their eyes, skin, body ... ...

... this indeterminacy, one of the key elements of the abstraction, through thorough setting up of art objects in the space and using of the light. The objects do not end with the contours of their material substance, they are "open works", extending...

... reading and reception in entropic and cybrid situations and a practice of appropriation of the advertisement system as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in P0es1s, at Kulturforum, Berlin (2004)....

... video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He (1983), Telling Motions (1986), The Water Catalogue...

... updated regularly throughout the course of the show in response to messages that were left on a small table in the gallery space. People were invited to leave messages that they would put on the banner under which they would enter the emerald city. Through...

... of the carriage wheels (for dollys and moviemaps). Since the filming was "stop-frame" (rather than "real-time"), time and space appear compressed. The imagery is part of an investigation of the role of media and its relationship to landscape, tourism,...