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  • Nature II
    Ascott, Roy. Nature II In Esthétique des arts médiatiques, edited by L. PoissantVol.2. , 437-452. Quebec: Presses de l'Université du Québec, 1995.
  • Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.
  • Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
  • Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.
  • Bots -
    Copyrighted memes live in our minds, influence our thoughts, even shape our decisions. We are hosts for these memes, yet we have no say in their design, nor do we have the legal right to alter them. Like sacred icons they are controlled by corporate
  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • Patrícia Gouveia is an artist, designer, scholar, and curator with more than twenty years of research experience in arts, design, gaming, and interaction. She has been working in Interactive Arts and Design since the 1990s. Her research focuses on
  • Giannetti, Claudia and Peter Weibel and Lynn Hershman and Siegfried Zielinski, ed. Arte en la Era Electrónica. Perspectivas de una Nueva Estética. Barcelona, Spain: ACC ' Angelot / Goethe-Institut, 1997.
  • GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial pontifícia Universidad Javeriana, 2005.
  • Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.