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  • Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.
  • Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
  • After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • W. Bradford Paley uses computers to create visual displays with the goal of making readable, clear, and engaging expressions of complex data. His visual representations are inspired by the calm, richly layered information in natural scenes. His
  • Srečo Dragan is an artist known for his pioneering work in video art. He collaborated with Ana Nuša Dragan from 1967 to 1988, creating the first video in Yugoslavia, "The White Milk of White Breasts," in 1969. They were also active members of the
  • Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.
  • Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.
  • Event: L'esthétique du VirtuelInstitution: Prix ItaliaComment:
  • DOMINGUES, DIANA MARIA G. Cyber esthétique et l'ingénierie des sens en Software Art Mobile/Immobilized: Art, Technologies and (Dis) Abilities (2007).
  • DOMINGUES, DIANA MARIA G. L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose L'esthetique Des Art Mediatiques, Montreal 2 (1995): 31-38.