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  • Inflatable tubing burst through a wall of brick-printed plastic that covered the shop window. This tubing was then taken into the street and used to signal the boundaries of controversial urban renewal planning in this area.
  • The Value of Art -
    2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
  • As part of Cao Fei's RMB City installatio0n, collaboration with Gazira Babeli
  • Bricken, Meredith. Inventing Reality (HTL Memo No. M-89-2). Seattle: 1989.
  • Artificial Landscapes -
    'Artificial Landscapes' were Land Art projects in the form of a series of photographic collages, a few of which were actually realized: Cloud of Daytime Sky at Night, Water Totems, Sandquake, Grassroll and Brickhill. These projects typically
  • Brickhill -
    An air-inflated cone-shaped structure printed with the image of bricks, which people could jump onto.
  • This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
  • The Art Collider -
    Artistic Statement The proliferation of networks and communication systems fosters the free circulation and the diversification of exchanges, which create a redistribution of values, as opposed to those in economics which are merely transactions.
  • Dr Tracey M Benson is an Australian based interdisciplinary artist, UX designer, researcher and founder of Treecreate. She is passionate about more-than-human design and bridging the links between western ways of thinking with experiential and
  • PegBlocks -
    Pegblocks are networked tactile transducers. As users manipulate the array of pegs, sliding them back and forth, motion is converted to electricity and converted back into motion through out the rest of the network. The resulting movements of the