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Karl Salzmann
Karl Salzmann (*1979 in Bludenz) is a sound and media artist currently based in Vienna. In his artistic practice he uses sound and noise and combines them in performance, conceptual and installation art. His work is characterized by the visual
BEAP 2004: SAMEDIFFERENCE
2004
-
2004
The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. BEAP examines the
sensegenerator
1999
-
1999
... The music and a human
being
listening to the music are...
As Falling Falls
1996
-
1996
As Falling Falls is a double interactive video projection using high resolution video projectors and two computers with a remote visual sensing system for viewer interaction. On each screen is visible a number of dancers of the Stephen Petronio
The Tables have Turned
2008
Shadow play installation, thirty turntables with reverse painted mylar cylinders, audio piece performed by Alaknanda Samarth 20 Min
Machine Dreams
1994
-
2000
... typewriter (1940), a mix
master
(1960), a telephone...
Legal Tender
1996
-
1997
Legal Tender (1996) was the first Internet telerobotic laboratory. Visitors to www.counterfeit.org were presented with a pair of US$100 bills, one real the other counterfeit. Users could perform experiments on the bills by registering with an
Eternal Summer
2000
-
2000
... are handled technically
not
unlike "samples" found in...
Jaroslav Vančát
Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity
Acoustic Environment
1997
-
1997
A collection and exhibition of a disparate yet representative array of machine sounds, analogous to the collection and display of zoological 'samples'. Developed in colaboration with Gary Warner.
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