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  • Fashion show
  • VIRTUAL BALANCE: LOOKING WITH THE FEET 1994 Understanding interactivity in cyberspace as a seamless experience rather than a clickable one, Virtual Balance borrows from the myth of the magic carpet to move through data. The magic carpet, popularized
  • Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo
  • en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in
  • Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
  • Max Lungarella, Fumiya Iida, Josh Bongard and Rolf Pfeifer and The Dynamic Darwinian Diorama: A Landlocked Archipelago Enhances Epistemology. PROCEEDINGS OF THE 50TH ANNIVERSARY SUMMIT OF ARTIFICIAL INTELLIGENCE. : Springer Verlag, 2007.
  • The Dynamic Darwinian Diorama: A Landlocked Archipelago Enhances Epistemology, Edited by Max Lungarella, Fumiya Iida, Josh Bongard and Rolf Pfeifer. PROCEEDINGS OF THE 50TH ANNIVERSARY SUMMIT OF ARTIFICIAL INTELLIGENCE. : Springer Verlag, 2007.
  • 16. März 2021 - 3. Oktober 2021 Artists: Jan Bauer, Jeongmoon Choi, Jan Henderikse, Jenny Holzer, Brigitte Kowanz, Hiroyuki Masuyama, François Morellet, Klaus Obermaier, Sonja Rolfs, Andreas Sachsenmaier, Christa Sommerer & Laurent Mignonneau,