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Global Direct
2014
-
2014
"Global Direct introduces the idea of direct participation in worldwide governance within the tradition of utopian artistic visions. The artwork is presented a
s a
visionary political program that structures global direct democracy through the
Loophole for All
2013
-
2013
video
"Thi
s a
rtwork unveiled over 200000 Caymans I
sla
nds companie
s a
nd combined with an aggressive business strategy, it reversed global finance machination for creative subversive agendas. The website Loophole4All.com promoted the sale of real identities
Clockwork
2014
-
2015
Twelve concrete mixer
s a
re arranged in a circle in the center of a large rectangular
spa
ce. They form an “erosion machine” designed to accelerate the decay of Vienna. The mixing drum
s a
re filled with architectural debris taken from various buildings
Time-accelerated Painting
Time-accelerated PaintingArtist: Jaron LanierComment:
Unending Closure
2007
-
2007
The events that have unfolded since the turn of the century, in addition to the unending technological parade of innovation and the bloating of Media influence over the world has yielded not a people that enjoy Sunday afternoon picnics on the moon,
Plüschlove
1984
-
1984
video
Videotape [English title, Plush love] Love scenes from two movie classic
s a
re rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' i
s a
montage of real, digitized (i.e. computer-generated) and
Nacho Frades
In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly land
sca
pes of lonely places, where I am the only person in the work, the person that sees them, the observer.
Marina Grzinic
Marina Gržinić i
s a
philosopher, theoretician, and artist based in Ljubljana, Slovenia. Since 2003, she has served as Full Professor at the Academy of Fine Arts in Vienna, Austria. Gržinić does innovative work in practice re
sea
rch, she i
s a
Cracks to Oases
2018
-
2018
The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manife
sta
12› in July 2018. In the course of these 10 days, I was part of a group of artist
s a
nd architects from around the world. Sara Kamalvand’s
Tweet Time
2014
-
2014
In a world in which everything i
s a
ccelerating, taking time out to reconsider one's daily habits, reclaim one's own choice of rhythm, and be aware of our limits, seems ever more vital. With Tweet Time, which was produced in collaboration with
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