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Peter d`Agostino
Peter d'Agostino i
s a
n artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of in
sta
llations, performances, telecommunications events, and broadcast
Sylvia Eckermann
Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflection
s a
bout our entanglement as individuals in current socio-economic situations. Eckermann works with various media
Time-accelerated Painting
Time-accelerated PaintingArtist: Jaron LanierComment:
Unending Closure
2007
-
2007
The events that have unfolded since the turn of the century, in addition to the unending technological parade of innovation and the bloating of Media influence over the world has yielded not a people that enjoy Sunday afternoon picnics on the moon,
Plüschlove
1984
-
1984
video
Videotape [English title, Plush love] Love scenes from two movie classic
s a
re rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' i
s a
montage of real, digitized (i.e. computer-generated) and
Nacho Frades
In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly land
sca
pes of lonely places, where I am the only person in the work, the person that sees them, the observer.
Marina Grzinic
Marina Gržinić i
s a
philosopher, theoretician, and artist based in Ljubljana, Slovenia. Since 2003, she has served as Full Professor at the Academy of Fine Arts in Vienna, Austria. Gržinić does innovative work in practice re
sea
rch, she i
s a
Cracks to Oases
2018
-
2018
The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manife
sta
12› in July 2018. In the course of these 10 days, I was part of a group of artist
s a
nd architects from around the world. Sara Kamalvand’s
Tweet Time
2014
-
2014
In a world in which everything i
s a
ccelerating, taking time out to reconsider one's daily habits, reclaim one's own choice of rhythm, and be aware of our limits, seems ever more vital. With Tweet Time, which was produced in collaboration with
Snow Yunxue Fu
Snow Yunxue Fu i
s a
US-based Chinese-born New Media Artist, Curator, and Assi
sta
nt Arts Professor in the Department of Photography and Imaging at New York University Tisch School of the Arts. Using topographical computer-rendered image
s a
nd
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