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La relation comme forme. L´interactivité en Art
2004
Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
Mapping the Terrain: New Genre Public Art
1994
Lacy, Suzanne, ed. Mapping the Terrain: New Genre Public Art. : Bay Press, 1994.
The two Levels of Reality - Exo and Endo
1991
Weibel, Peter and Otto E. Rössler. The two Levels of Reality - Exo and Endo In Art Lab 1st Symposium, The Current Condition and the Future of Digital Art, edited by Y. Shihata, 16. Tokyo, Japan: Canon, 1991.
Sta
tement zu einer Kunst im Netzwerk
1994
Weibel, Peter.
Sta
tement zu einer Kunst im Netzwerk In Teletopologie Österreich - Materialien zur Medienkunst, Medien.Kunst.Pa
ssa
gen, edited by Thomas Feuerstein and Romana Schuler, 153-160. Wien: Pa
ssa
gen Verlag, 1994.
Die elektronische Epoche
1986
Weibel, Peter. Die elektronische Epoche Informatik Forum 2 (1986): 30-35.
Présences virtuelles
1999
Bellour, Raymond. Présences virtuelles In Les Frontières esthétiques de l'art, , 179f.. Paris: L'Harmattan, 1999.
Telepresence
1980
Minsky, Marvin. Telepresence OMNI magazine (June 1980).
Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie
1990
Minsky, Marvin. Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie In Ars Electronica 1990: Digitale Träume, Virtuelle Welten, edited by Gottfried Hattinger and Peter WeibelVol.2. Linz: Veritas-Verlag, 1990.
Metaphors of participation / Metaphern der Partizipation
2001
Ranzenbacher, Heimo. Metaphors of participation / Metaphern der Partizipation In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York:
Art and the Computer
1985
Prueitt, Melvin. Art and the Computer. Columbus, OH: McGraw-Hill Higher Education, 1985.
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