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Esthétique des arts médiatiques: Interfaces et Sensorialité
2003
Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.
Pins
2002
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2003
Pins generates dynamic three-dimensional geometries within a tabletop environment serving both as volumetric display and co-spatial input device. Our goal is to liberate otherwise static everyday objects and surfaces with intelligent materials that
IAMAS Artist In Residence Exhibition 2004-2005
2005
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2005
The Artist in Residence program is one of the programs started at IAMAS since establishment. Each year IAMAS invites outstanding artists from overseas to Japan, and supports their activities while on the program. There have been 16 artists who have
Typologie des interfaces artistiques
2003
Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.
Cybernétique et Oeuvre d´Art
1965
Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.
L'esthétique du Virtuel
2000
Event: L'esthétique du VirtuelInstitution: Prix ItaliaComment:
Cyber esthétique et l'ingénierie des sens en Software Art
2007
DOMINGUES, DIANA MARIA G. Cyber esthétique et l'ingénierie des sens en Software Art Mobile/Immobilized: Art, Technologies and (Dis) Abilities (2007).
L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose
1995
DOMINGUES, DIANA MARIA G. L'Image, Les Circuits Electroniques Et L'Esthetique Et La Metamorphose L'esthetique Des Art Mediatiques, Montreal 2 (1995): 31-38.
Olga Kisseleva
"The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
Mûcsarnok / Kunsthalle Budapest
1896
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