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Nomi Sasaki
Arti
st: Nomi SasakiComment:
Breath
1991
Human breathing is a complicated mechanism that can be influenced so that people changes their peed of breathing. Breath is a virtual space in which the spectator experiences in a cybernetic world presenting images how breath mechanism can be
Laura Netz
...Laura Netz (Barcelona, 1982). Curator,
arti
st, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new...
Radoslav Rochallyi
My artwork is critical of social, political, and cultural issues. My work often refers to European history and especially the present. For the last few years, I have been working on my works in the Visual Mathematical form. I process every idea both
Field-Work@Alsace
2002
-
2002
The project Field-Work@Alsace is a collection of interviews with local inhabitants and passengers around the border between France and Germany. Whole interviews are located in the place where the interview was done and replayed as it was done
La Morale sensitive
2001
La Morale sensitive takes its title from a philosophical project that Rousseau never completed, concerning the process of learning and experimentation through the phenomenon of perception. In combining the traditional book format with cinematic
Dialogue with the knowbotic south (DWTKS)
1993
-
1995
Dialogue With The Knowbotic South- strategies on a changing view of nature A dynamic map of a data-land-scape providing a form of interaction with multilocal and multipresent information-fields. Following the example of the manneristic
Patricia Olynyk
...Patricia Olynyk is an
arti
st, writer, and educator whose work explores science and technology-related themes and the ways in which social...
Gregoire Rousseau
...Gregoire Rousseau is an
arti
st and educator based in Helsinki. He is graduated both as an Electrical Engineer and Masterof Fine Arts in Uniarts,...
Moving Movie
1977
-
1977
video
Moving Movie #1 (1977) was an inexpensive modest study made at MIT. I was obsessed with why movie cameras move and movie projectors don’t, and filmed the Boston landscape with a Super8 movie camera mounted on a slowly rotating turntable. The film is
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