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  • Group Exhibition of Re-Collect in Currents International New Media Festival
    Event: Group Exhibition of Re-Collect in Currents International New Media FestivalInstitution: El Museo Cultural de Santa FeComment:
  • INSN(H)AK(R)ES -
    Cyberart: Interacciones y Encarnaciones. Lima: Passaje Santa Rosa 114, 2002 (Solo Exhibition Catalog). Ciberarte: Interacciones y Encarnaciones. Pancho Fierro Gallery, Municipality of Lima. Best exhibition of the year in Lima
  • Brenda Laurel
    Brenda Laurel is a designer, researcher and writer. Her work focuses on interactive narrative, human-computer interaction, and cultural aspects of technology. Her career in human-computer interaction spans over twenty-five years. She holds an M.F.A.
  • Linguagens Líquidas na era da mobilidade
    Santaella, Lucia. Linguagens Líquidas na era da mobilidade. São Paulo: Paulus, 2009.
  • Ciberestética e a engenharia dos sentidos na Software Art.
    DOMINGUES, DIANA MARIA G. Ciberestética e a engenharia dos sentidos na Software Art. In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila ArantesSão Paulo: Educ, 2008.
  • Conversations - expanded images 2 -
    Conversations TIDD PUC SP Agosto 2020 Diana Domingues e Lucia Santaella
  • Group Exhibition of Peripheral Response in Despertar/Éveil/Alive
    Event: Group Exhibition of Peripheral Response in Despertar/Éveil/AliveInstitution: SESC SANTANAComment:
  • Ars & Machina. Electrografía Artística en la colección MIDE
    ALCALÁ MELLADO, José Ramón. Ars & Machina. Electrografía Artística en la colección MIDE. Santander: Fundación Marcelino Botín, 2004.
  • Stephen Pope
    Stephen Travis Pope is an award-winning composer, film-maker, computer scientist and social activist based in Santa Barbara, California. He is currently active as a software development contractor and intellectual property expert through FASTLab.
  • Rachel Strickland
    Rachel Strickland describes herself as an architect who practices in motion picture media more than pencil and paper. Her work of the past 25 years has focused on cinematic dimensions of the sense of place, and new paradigms for narrative
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