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Suzanne Anker
Suzanne Anker i
s a
vi
sua
l artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and in
sta
llation to large-
sca
le photography to plants grown by LED lights.
Ursula Damm
Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studie
s a
t the Academy of Media arts in Cologne. Early sculptures were models of
spa
ce and time, developed in a bodily experience. In the 1990s in
sta
llations were
Epidémie
2007
-
2007
Rendre visible l’invisible Parce que l’on parle ici de l’invisible qui détermine notre destin, il est important de lui donner une forme de visibilité. Le danger réside dans l’incapacité du cerveau à dissocier l’importance de la menace de la
Roy Ascott
Roy Ascott is one of the most important artist
s a
nd theorists in the field of cybernetic
s a
nd telematics. His work focuses on the impact of digital and telecommunications networks on consciousness. Since the 1960s, he has been a practitioner of
Elisabeth Diller
Attended the Cooper Union School of Art and BA in Architecture in 1979. She then taught at the Cooper Union and has been Associate Professor of Architecture at Princeton, NJ, since 1990. The firm of Diller + Scofidio was formed in 1979. Elizabeth
CHRONOPOLIS
2002
-
2003
Chronopolis consists of a 10 x 10 meter square floor-projected interface that visitors walk over. The computer generated interface displays days, hours, minute
s a
nd seconds grids over which four animated pictograms representing these time elements
Global Direct
2014
-
2014
"Global Direct introduces the idea of direct participation in worldwide governance within the tradition of utopian artistic visions. The artwork is presented a
s a
visionary political program that structures global direct democracy through the
Loophole for All
2013
-
2013
video
"Thi
s a
rtwork unveiled over 200000 Caymans I
sla
nds companie
s a
nd combined with an aggressive business strategy, it reversed global finance machination for creative subversive agendas. The website Loophole4All.com promoted the sale of real identities
Clockwork
2014
-
2015
Twelve concrete mixer
s a
re arranged in a circle in the center of a large rectangular
spa
ce. They form an “erosion machine” designed to accelerate the decay of Vienna. The mixing drum
s a
re filled with architectural debris taken from various buildings
Johanna Dombois
Born in 1967 in Berlin i
s a
n opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998),
Sta
te theatre
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