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  • Eventstructure Research Group
    Shaw, Jeffrey. Eventstructure Research Group The Mewspaper, Royal College of Art 22 (April-May 1974): 3-4.
  • Total Art: Environments, Happenings, and Performance
    Henri, Adrian. Total Art: Environments, Happenings, and Performance. New York: W. W. Norton and Company, 1974.
  • Art and Marginal Communication
    Fischer, Hervé, ed. Art and Marginal Communication. Paris: Balland, 1974.
  • Record again! 40JAHREVIDEOKUNST.DE Teil 2 -
    40JAHREVIDEOKUNST.DE Teil 2 Joseph Beuys, Wolf Kahlen, Ulrike Rosenbach, Holger Czukay, Anna Oppermann, Klaus vom Bruch, Walter Schröder-Limmer, Bazon Brocks, Gerry Schum, Jörg Herold, Michael Morgner, Lutz Dammbeck, Ulrich Rückriem, Klaus Rinke,
  • The Lamb Lies Down on Broadway
    Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens
  • Jules Verne
    A virtual projection installation created the illusion of looking through the theatre entrance doors at fictional scenes situated in the real space outside the theatre. The installation used the same augmented-reality technology that was first
  • RECORD > AGAIN! - 40yearsvideoart.de – Part 2 -
    RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
  • Christopher Bauder
    Christopher Bauder (born 1973) started working in the field of interactive installation art after finishing his studies in the Digital Media Class at the Berlin University of the Arts. His projects focus on the translation of bits and bytes into
  • Study for a Mirror -
    The founding members of rAndom International: Hannes Koch (b. 1975, Germany), Florian Ortkrass (b. 1975, Germany) and Stuart Wood (b. 1980, UK) met while at Brunel University in 2002 and went on to study together at the Royal College of Art, London.
  • I / THE FOOD I ATE -
    9:59 min. (short version 3:30 min.) / HD video / produce in Switzerland The artist has been recording everything he ate since 1975. Pairing his food intake with his portrait suggests that what he ate makes who he is. All the mayonnaise he ate in 38
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