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  • The Neighbour -
    "The neighbour, neither friend nor enemy, is the one who may not be in your "network", but is nevertheless in your world." (Sukumaran) This ambitious project is Sukumaran's first major one-person exhibition in the UK. In The Neighbour, two
  • Susan Collins
    Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Jack Ox
    Jack Ox is a media artist working on visualisation of music for more than 25 years. She is Professor at The University of New Mexico and Co-director of SARC (Science Art Research Collaboration). She had been in the editorial board of Leonardo since
  • LANDSCHAFT 2.0
    Dziembowski, B. and S. Himmelsbach and N. Mirzoeff, ed. LANDSCHAFT 2.0. Heidelberg: Kehrer, 2009.
  • Landschaft 2.0 -
    Event: Landschaft 2.0Institution: Edith Russ SiteComment:
  • Computer Graphics Computer Art
    Landsdown, John. Computer Graphics Computer Art PAGE. Bulletin of the Computer Art Society 19 (December 1971).
  • Touching, Traces: The 2020 COVID Election Diaries -
    In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone
  • Frank Schubert
    After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Modeling Complex Systems for Interactive Art
    Sommerer, Christa and Laurent Mignonneau. Modeling Complex Systems for Interactive Art In Applied Complexity – From Neural Nets to Managed Landscapes, edited by Halloy S. and T. Williams, 25-38. Christchurch: Institute for Crop and Food Research,
  • VideoFest '89
    In only its second year, VideoFest has become the largest european video festival. Video is a young artform; from the beginning, it has been a reaction to the “brave new world” of the highly technical mass societies with all their computers, nuclear
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