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RETHINKING CURATING: ART AFTER NEW MEDIA
2010
Cook, Sarah and Beryl Graham. RETHINKING CURATING: ART AFTER NEW MEDIA (2010).
Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah Fillmore
2012
Event: Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah FillmoreInstitution: Ars Electronica Linz GmbH & Co KGComment:
Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah Fillmore
2010
Event: Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah FillmoreInstitution: Ars Electronica Linz GmbH & Co KGComment:
On Software as Art
2003
Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign
2005
krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
A wrong city
2002
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2002
Event: A wrong cityInstitution: Saraï-MedialabComment:
Mulheres em Luta (Women in Struggle)
2009
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2009
the exhibition, curated by Anda Rottenberg and Alberto Saraiva, present the vision of women artists from Brazil and Poland on feminism and the position of women in art history.
Poesia Visual
2003
Alberto Saraiva. Poesia Visual. f10 th ed.Rio de Janeiro: Oi Futuro e Editora, 2003.
Thorsten Fleisch
After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter
Avidya: Non-Knowledge Production in the scene of Visual arts Practice
2001
Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.
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