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  • Li, Yinlin et al (2003) Gesture Frame–A Screen Navigation System for Interactive Multimedia Kiosks.
    Li, Yinlin et al.. Li, Yinlin et al (2003) Gesture Frame–A Screen Navigation System for Interactive Multimedia Kiosks. In 5th International Gesture Workshop, edited by Antonio CamurriVol.2915. https://doi.org/10.1007/978-3-540-24598-8_35, ,
  • Information Jukebox? A semi-public device for presenting multimedia information content.
    Strauss, Wolfgang and Monika Fleischmann. Information Jukebox? A semi-public device for presenting multimedia information content. Personal and Ubiquitous Computing 7(3-4), no. DOI: 10.1007/s00779-003-0219-x (July 2003): :217-220.
  • On the development of netzspannung.org
    Fleischmann, Monika and Jean-Francois Guiton and Mona Schieren. On the development of netzspannung.org In Present Continuous Past(s): Media Art, Strategies of Presentation, Mediation, and Dissemination, edited by Ursula FrohneDOI:
  • The Forest, Curated By the Arboreal Collective
    Featured "These 7000 Oaks Do not Exist". NFT/GAN animation criticizing the CO2 emission of highly computational media for Beuys' 100th Birthday.
  • The Last Supper And The City of Bits. Continuing the search for the Soul of the City. -
    Stanza. Title. The Last Supper And The City of Bits. Continuing the search for the Soul of the City. Stanza presented this artwork below and gave an artists talk as part of the Folly Digital Lunch series. Twelve guests were invited to this
  • 101010ZZZ - A NET.ART EXHIBITION (solo) -
    Event: 101010ZZZ - A NET.ART EXHIBITION (solo)Institution: VideotageComment:
  • JODI: Computing 101B -
    Event: JODI: Computing 101BInstitution: FACTComment:
  • Plasm: Not a Crime -
    "Plasm: not a crime" is the artistic statement of Peter Broadwell and Rob Myers that sharing secrets is not a crime. It used to be that most interactions between people took place face to face. If you had a desire to keep something confidential,
  • Masaki Fujihata
    Masaki Fujihata is one of the pioneers of Japanese new media art, beginning his career working in video and digital imaging in the early 80s. As an early practitioner of the application of new technologies to the process of artmaking, he was one of
  • In Real Time
    anet Cardiff's contribution to #10101 is a «Video Walk,» an original, immersive, site-specific art form. Museum visitors who wish to «do» Cardiff’s piece are given a small digital camcorder equipped with stereo headphones. It contains a tape
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