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Piksel Festival 2014-2020
2014
-
2020
https://14.piksel.no/ https://15.piksel.no/ https://16.piksel.no/ https://17.piksel.no/ https://18.piksel.no/ https://19.piksel.no/ https://20.piksel.no/
GeoSCAPE
1999
-
2000
GeoSCAPE is a reconstructive tool for capturing measurement data in field archaeology and facilitating a 3-D visualization of an excavation rendered in computer graphics. This project is carried out by extending a recently developed
Listening Post
2003
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2003
Listening Post is situated in the permanent collections of the Science Museum, South Kensington, London, and is on site loan to the Decode exhibition. It can be viewed on the first floor of the Science Museum. Listening Post has been presented
The Search Drive
2014
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2014
video
The Search Drive (2014) is a video work in which some of the same software programs utilized by the NSA to spy on Americans and foreign nationals, residing in America and abroad, are used by an autonomous agent to search through the web for personal
ScanLink
1998
video
ScanLink can be described as walking the web backwards. The underlying topology of connectedness, such as popularity and power distribution, is shown through a reverse traversal of links for any given web page. Using ScanLink the user can select a
Featured Artist Giselle Beiguelman
04/2015
.. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..
Animal Locomotion
1996
-
2000
In Animal Locomotion (1996-2000), which began with drawings made from Muybridge's photographs of figures in motion, the viewer interactively changes the configuration of the site through interactive image manipulation. The server keeps track of the
Hito Steyerl
Hito Steyerl is professor for experimental film and video and the co-founder of the Research Center for Proxy Politics at the Berlin University of the Arts. She studied cinematography and documentary film in Tokyo and Munich and wrote her doctoral
European Media Art Festival 2000:Now/Future
2000
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2000
This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site
recombinant - the techn(o)rganic body
2003
video
Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
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