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In Real Time
2001
... is a mesmerizing blend of reality and fiction, delivered in a form unlike anything else in contemporary art. (source:
htt
p://www.medienkunstnetz.de/works/in-real-time/)
The Dark Pool
1995
-
1996
...Internetproject, have a look at
htt
p://www.banffcentre.ca/WPG/nmsc/DarkPool/index.html
Suspension
1997
... patterns of recurrences or rhythms. This matrix objectifies the rhythmic and locates repetition pattern as form. (source:
htt
p://jordancrandall.com/suspension/suspension.html)
Drive
1998
-
2000
... - which are helping to change the contours of the body, its desires, and is sense of orientation in the world. (source:
htt
p://jordancrandall.com/drive/descriptions/synopsis.html)
Under Fire
2004
-
2005
... in contemporary media culture, political violence, technology, power, social movements, and global politics. (source:
htt
p://jordancrandall.com/underfire/index.html)
Placeholder: Landscape and Narrative in a Virtual Environment
1992
-
1993
... within the environments. Transport among environments was represented by a network of spiral-shaped "portals". (source:
htt
p://dpa.ntu.ac.uk)
Night Canoeing
2004
... of the camera or the canoeist the sound of the rhythmic paddling reinforces the atmosphere charged with tension. (source:...
House Fire
2001
... Critics have heralded their multimedia art practice as one of the most important breakthroughs in conceptual art. (source:
htt
p://www.banffcentre.ca/wpg/collection/collection_cf.htm)
Surface Drawing
1997
-
2002
...Experiments in creating 3D shape with the hand, conducted with Peter Schröder at Caltech, 1997-2002. (source:
htt
p://www.schkolne.com/)
The Reading Room
1997
-
1997
... glass components, limited edition artists' books. Jointly authored with Fiona Gunn, Christchurch, New Zealand. (source:
htt
p://www.littlepig.org.uk)
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