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  • Badani, Pat and SACHIKO HAYASHI. "Where are you from?": The Networked Sphere [01-01-2006].
  • Face to Facebook texts from www.face ‐ to ‐ facebook.net by Paolo Cirio and Alessandro Ludovico. 2011 Logline: Stealing 1 million Facebook profiles, filtering them with face ‐ recognition software and then posting them on a custom ‐ made dating
  • In Medias Res -
    Morehshin Allahyari & Daniel Rourke, Banz & Bowinkel, Malte Bartsch, Mariechen Danz, Angela Fette, Hans Haacke, Konsortium (Lars Breuer, Sebastian Freytag, Guido Münch), Reiner Maria Matysik, Theresa Schubert, Anja Schwörer kuratiert von Ursula
  • Weibel, Peter and Rolf Sachsse. Gamma und Amplitude. Medien und kunsttheoretische Schriften. Berlin: Fundus, 2004.
  • Dr. Sara Diamond is the President of OCAD University, Canada's "university of the imagination". She holds a PhD in Computing, Information Technology and Engineering from the University of East London, a Masters in Digital Media theory from the
  • Kitzmantel, Silvia. Sackgasse oder Pionierarbeit Oberösterreichische Nachrichten (June 25th 1994).
  • Conversation Map -
    conversation map, 2000 http://hybrid.ucsc.edu/ConversationMap/ Website built with the Java and Perl programming languages Conversation Map summarises and visualises very large-scale conversations which take place online in mailing
  • Breathing Chaos -
    Year:2004 (short film, 8min 11sec) Sachiko Kodama Sound by Ippei Ogura Breathing Chaos is a short film that uses the dynamic forces of nature to suggest that life emerges from the expression of physical power. Themes include the chaos of
  • Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
  • Diana DominguesThe Archive of Digital Art, 07/2023Text, Editing & Interview by Carla ZamoraShe has an immense and multifaceted body of work, revealing an enormous talentopening to multiple dimensions. (…) And in my opinion, the contents in