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All the world's future - 56th International Art Exhibition
2015
Event: All the world's future - 56th International Art ExhibitionInstitution: WRO Center for Media ArtComment:
56th WoldFest-Houston
2023
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2023
Event: 56th WoldFest-HoustonInstitution: The Wrong BiennaleComment:
Azimuth 77
2006
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2006
video
Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
Rafael Lozano-Hemmer
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
38% und Simulationen (38% and simulations)
2000
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2000
video
Marcello Mercado 38% und Simulationen, 1999 Videoart, 4' 39", stereo 4:3 colour https://vimeo.com/59615939 Music by Marcello Mercado Edited by Marcello Mercado Animation by Marcello Mercado
Jodi’s Infrastructure
2016
Alexander R. Galloway. Jodi’s Infrastructure http://www.e-flux.com/journal/74/59810/jodi-s-infrastructure/ [e-flux journal#74, June 2016].
un Générateur de Failles Psychologiques Integré
2003
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2003
La performance est la présentation d'un projet de recherche technologique proposée en 2013 (soit 10 ans plus tard) Présentée sur une estrade, projection sur tulle en avant scène des illustrations animées qui semblent flotter dans l’espace. Speaker
La 5éme édition du festival Courant 3D 2017
2017
festival for 3D and VR
Frequency and Volume, Relational Architecture 9
2003
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2003
"Frequency and Volume" consists of between 100 and 800 square metres of projected shadows which allow participants to scan the radio spectrum of the city with their bodies. As a shadow appears it tunes any radio frequency between 150kHz to 1.5GHz
Featured Artist Eduardo Kac
06/2022
Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
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