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  • All the world's future - 56th International Art Exhibition
    Event: All the world's future - 56th International Art ExhibitionInstitution: WRO Center for Media ArtComment:
  • 56th WoldFest-Houston -
    Event: 56th WoldFest-HoustonInstitution: The Wrong BiennaleComment:
  • Azimuth 77 - video
    Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
  • Rafael Lozano-Hemmer
    Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada. Electronic artist, develops interactive installations that are at the intersection of
  • 38% und Simulationen (38% and simulations) - video
    Marcello Mercado 38% und Simulationen, 1999 Videoart, 4' 39", stereo 4:3 colour https://vimeo.com/59615939 Music by Marcello Mercado Edited by Marcello Mercado Animation by Marcello Mercado
  • Jodi’s Infrastructure
    Alexander R. Galloway. Jodi’s Infrastructure http://www.e-flux.com/journal/74/59810/jodi-s-infrastructure/ [e-flux journal#74, June 2016].
  • un Générateur de Failles Psychologiques Integré -
    La performance est la présentation d'un projet de recherche technologique proposée en 2013 (soit 10 ans plus tard) Présentée sur une estrade, projection sur tulle en avant scène des illustrations animées qui semblent flotter dans l’espace. Speaker
  • La 5éme édition du festival Courant 3D 2017
    festival for 3D and VR
  • Frequency and Volume, Relational Architecture 9 -
    "Frequency and Volume" consists of between 100 and 800 square metres of projected shadows which allow participants to scan the radio spectrum of the city with their bodies. As a shadow appears it tunes any radio frequency between 150kHz to 1.5GHz
  • Featured Artist Eduardo Kac
    Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
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