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La Machine à idées
2002
-
2002
... Combien d\'idées le marketing de marque
a-t
-il empêché de germer, combien de projets sont...
Sommerer, Christa, "Interface Cultures - Teaching Interaction Design", Lecture at The Age of Simulation Round Table, Ars Electronica Center, Linz (Austria), 12.01.2006
2006
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2006
Event: Sommerer, Christa, "Interface Cultures - Teaching Interaction Design", Lecture at The Age of Simulation Round Table, Ars Electronica Center, Linz (Austria), 12.01.2006Institution: Ars Electronica Linz GmbH & Co KGComment:
Guest Essay Isabella Iskra
08/2024
This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today
Handsight
1992
The intention of this work is to emphasize certain aspects of virtuality, such as telepresence and the re-embodiment of the senses. It creates a transverse relation between the real and the virtual by correlating a physical object with its virtual
Blow up
2005
video
Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small
homunculus.nimbus
2018
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2018
homunculus nimbus is the third iteration of a previous work called, homunculus.agora, which was exhibited at Land|Slide Possible Futures, Markham Museum September 21st- October 14th 2013; and Farm To Table Exhibition, Markham Museum January 31st
Sylvia Grace Borda
Borda is a practising media artist and curator with over a decade of experience in lecturing about photography and Western art histories. She is also considered a Canadian pioneer in leading media innovation through the adaptation and re-use of
NAKED EYE
2010
Intangible Images Brigitte Felderer: Naked Eye, an installation by Sylvia Eckermann With her installation at Kunstraum Bernsteiner Sylvia Eckermann addresses the presentation of the "white cube" by subverting the boundaries between tableaux vivants
Once Upon A Time...We Live Happily Ever After
1979
In 1977 Marga Adama, John Munsey and Jeffrey Shaw established Javaphile Productions. Other artists then joined the core members in the group’s various works. Its main activity was the creation of ritual performances that had a strong affinity with
Photo Works
1973
This series of works made using photographic media explores the aesthetics of the double entendre and visual pun. A series of photographic prints on linen included: A tablecloth printed with a picture of a place setting after the meal has been eaten
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