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In Real Time
2001
... in a form un
like
anything else in...
Real time Computer Graphics from Body Motion
1983
Fisher, Scott S. and A. Marion. Real time Computer Graphics from Body Motion In Optics in Entertainment, edited by C. OutwaterSPIE 391, Cambridge, MA: 1983.
Ars Electronica 2003: CODE - The Language of our Time
2003
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2003
Event: Ars Electronica 2003: CODE - The Language of our TimeInstitution: Ars Electronica Linz GmbH & Co KGComment:
IN TIME AND SPACE
2006
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2005
”Joining different life forms, two different DNA, creates an even more beautiful and more resistant life form, a stronger DNA. Unknown life forms from other planet came down to Earth, in a silent crash of two worlds.” Using the symbiosis of two
UpStage: An Online Tool for Real-Time Storytelling
2011
Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).
A Recombinant History Apparatus presents Terminal Time
2002
Vanouse, Paul and Michael Mateas and Steffi Domike. A Recombinant History Apparatus presents Terminal Time Narrative Intelligence, John Benjamins Press (2002): 155-173.
Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
2002
Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
Year Zero: Museums as Technoetic Time Machines
2021
Moore, Lila. Year Zero: Museums as Technoetic Time Machines [].
Year Zero: Museums as Technoetic Time Machines
2021
Moore, Lila. Year Zero: Museums as Technoetic Time Machines [].
Year Zero: Museums as Technoetic Time Machines
2021
Moore, Lila. Year Zero: Museums as Technoetic Time Machines .
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