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dog[lab]01
2004
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2004
In this experimental space, seven little chimerical robots are evolving, some animals which have the general morphology of a dog but some have bovine coats provided with horns (mad cow disease?), pork skin (xenotransplantation? unless it’s a cross
Ultima Ratio - A Visual Language for Argumentation
1999
Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.
Chapter "Postmodern Aesthetics as Obscene Super-ego: Anxieties of Photography" in Function/fiction : utilitarian images reconfigured – Sylvia Grace Borda, Tacita Dean, Rod Dickinson, Michael Klier, Manu Luksch, Chris Marker, Pavel Pavlov, Walid Raad et
2009
Burnham, Clint. Chapter "Postmodern Aesthetics as Obscene Super-ego: Anxieties of Photography" in Function/fiction : utilitarian images reconfigured – Sylvia Grace Borda, Tacita Dean, Rod Dickinson, Michael Klier, Manu Luksch, Chris Marker, Pavel
Lagoglyph
2010
The Lagoglyphs are a series of artworks in different media in which Eduardo Kac creates a visual language and form of writing that he describes as "rabbitographic". The series references Kac's project GFP Bunny (2000)—also known as Alba, the green
Re: Dakar Arts Festival
2011
video
The Re: Dakar Arts Festival project documents an ongoing art scam form. The scammers approach artists and galerists with open calls for a fake festival in Dakar, Senegal. To appear professional, they adopt different identities. To unveil their
Eduardo Kac
Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living
Rabbit Remix
2004
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2004
Event: Rabbit RemixInstitution: Laura Marsiaj Arte ContemporâneaComment:
Lagoogleglyph I
2009
Lagoogleglyph (2009) is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. In its first manifestation Lagoogleglyph consists of a pixelated lagoglyph, referencing a rabbit head,
Lagoogleglyph II
2015
Lagoogleglyph 2 is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. It consists of a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a
Lagoogleglyph III
2018
Lagoogleglyph 3 consists of a pixelated lagoglyph, referencing a rabbit head, made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by Google
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