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  • Das Institut für Neue Medien
    Weibel, Peter. Das Institut für Neue Medien In Erlkönigs Erben, Perspektiven der Medienkunst, edited by Sabine Voggenreiter, 75-81. Köln, DE: 235 Media, 1993.
  • Humanist der Telecommunication
    Perthold, Sabine. Humanist der Telecommunication Bühne (June 6th 1994).
  • Curating Media/Net/Art: Circulating Contexts
    Hochrieser, Sabine and Franz Thalmair and Cont3xt.Net and Michael Kargl, ed. Curating Media/Net/Art: Circulating Contexts. Norderstedt: Books on Demand, 2007.
  • be prepared! tiger!
    Schmidt, Sabine Maria. be prepared! tiger! Article Artist´s Homepage.
  • Border Control: Traversing Horizons in Media Practice -
    Curated by Allison Collins in collaboration with Carrie Edinger and Srimoyee Mitra. Presented in partnership with the New Media Caucus. Human migration is a defining issue of the 21st century, often calling into question the relevance, role, and
  • Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts.
    Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and
  • Thinkering with Media: On the Art of Paul DeMarinis
    Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.
  • Winner of The Prix Net Art, 2014: JODI
    Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
  • RISING: Young Artists to keep an Eye on!
    Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
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