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The Amazing Technicolor Dream Float
1997
McClellan, Jim. The Amazing Technicolor Dream Float Esquire (June 1997): 60.
CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES
2007
McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
The Medusa Project
THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES
2007
McClelland, Michael and Graeme Stewart, ed. CONCRETE TORONTO: A GUIDEBOOK TO CONCRETE ARCHITECTURE FROM THE FIFTIES TO THE SEVENTIES. Toronto: Coach House Books and E.R.A. Architects, 2007.
Matt Mullican´s World
1980
McCollum, Allan. Matt Mullican´s World Real Life Magazine 5 (Winter 1980): 4-13.
Museum for Insects
2013
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2017
video
Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
NSA/USA: Sound as Prophecy – MANIFESTA 10
2014
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2014
video
NSA-USA takes as it point of departure the recent citizen spying scandal emanating from the activities of the National Security Agency. Both American and citizens outside the United States were surveilled and there is disagreement as to the whether
Turbulence, Interactive Museum of Unnatural History
1994
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1995
What would life be like if it were made from computer algorithms rather than flesh and blood? Artificial Life is the name given to the simulation of natural forms and processes using materials other than those found in nature. It is not so much a
Waking Agents
2019
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2021
In the age of smart everything, even the personal space of sleep is invaded. The installation consists of a set of six pillows in an immersive environment. Visitors are invited to lay down and nap with a “smart” pillow, attended to by its embedded
Lauren Lee McCarthy
Lauren Lee McCarthy (she/they) is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is a 2021 United States Artist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
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