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//**Code_UP 2004 - 2004

//**Code_me_UP investigates the role of the code in the meaning construction and the forms of visibility mediated by mobile communication devices. In the exhibition space, the audience can capture pictures with cell phones with camera and send
//.présence./.techno./.labo.// 2003 - 2003

Event: //.présence./.techno./.labo.//Institution: TangenteComment:
/kom.po’zi.ci.o:/ 2023 - 2023

Event: /kom.po’zi.ci.o:/Institution: WATOUComment:
/rosa (Zentrum für Netzkunst, Panke Gallery)
/source/ (postfactual) 2017 - 2017

Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
0 oder1? Computerkünstlerische Spiele mit dem binären Zufall 2011

Reisinger, Gunther. 0 oder1? Computerkünstlerische Spiele mit dem binären Zufall In SpielKunstGlück. Die Wette als Leitlinie der Entscheidung, edited by Johann Konrad Eberlein, 181-192. Wien/Berlin: Lit-Verlag, 2011.
0.7 OPEN ART 2011

Event: 0.7 OPEN ARTInstitution: Le Fresnoy, Studio National des Arts ContemporainsComment:
010101: Art in Technological Times 2001 - 2001

http://010101.sfmoma.org/start.html
05 March/10:43 pm 2004 - 2004

05 March/10:43 pm consists of a small, suburban model house on a table, linked to a computer. Looking into one of the windows the viewer discovers a small live projection, floating in the room, showing a person who is collapsed on a chair, with a
070707 UpStage Festival 2007 - 2007

The first UpStage Festival was part of the launch of UpStage 2 and took place on July 7 2007. Thirteen performances were presented in UpStage by artists from around the world, performed online for audiences around the world and simultaneously

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