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  • ... In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.
  • Paragens
    ...f, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • ... In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer, 2001.
  • ... of the information technology. He became the first professor of New Media Art at the Royal University College of Fine Art in Stockholm in 1999. (http://peterhagdahl.com/index.php/bio)
  • ... and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.
  • pinwheels -
    ... domains and ways to computationally map the information to the pinwheels. Its current application domains include stock market activity monitoring, web site hits tracking, natural wind movement, and server packet monitoring. (Source:...
  • ... In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.
  • ... Hannes Leopoldseder Olive Grau Frider Nake Hans Dehlinger Mark Wilson Wolfgang Lieser Gerfried Stocker Georg Peithner Lichtenfels Anita Beckers Antoinette Aeroldi Dirk Maas Peter Weibel Gregory Garvey ...
  • The essential component of wavy flow is the vortex. In isolation, a single vortex simply influences its surroundings to orbit around itself at a speed proportional to the inverse square of the distance to the vortex's axis. When a large number of
  • Rigid Waves - video
    ... of identifying reflection with the disintegrative creation of autonomous self-images-images of the self that are not stocked by the self they image. It is an attempt to look at oneself from the outside or even from behind, to stand next to oneself...