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On Interactivity / Interaktivität
2001
... In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried
Stock
er and Christine SchöpfVienna, New York: Springer, 2001.
Paragens
1991
...f, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo
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ler, 207. : Fundacao Bienal de Sao Paulo, 1991.
Perceptual Phenomena and Computer Games / Wahrnehmungsphänomene bei Computerspielen
2001
... In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried
Stock
er and Christine SchöpfNew York, Wien: Springer, 2001.
Peter Hagdahl
... of the information technology. He became the first professor of New Media Art at the Royal University College of Fine Art in
Stock
holm in 1999. (http://peterhagdahl.com/index.php/bio)
Photography after the Photography. Memory and Representation in the Digital Age
1996
... and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art
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, 1996.
pinwheels
1999
-
2000
... domains and ways to computationally map the information to the pinwheels. Its current application domains include
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market activity monitoring, web site hits tracking, natural wind movement, and server packet monitoring. (Source:...
Pixel+ Space Management. The Mise en Scène of Worlds of Experience in Real and Virtual Space / Die Inszenierung von (Erlebnis-)Welten im realen und virtuellen Raum
2001
... In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried
Stock
er and Christine SchöpfNew York, Wien: Springer Verlag, 2001.
Portrait on the Fly – Video Portraits
2015
-
2015
video
... Hannes Leopoldseder Olive Grau Frider Nake Hans Dehlinger Mark Wilson Wolfgang Lieser Gerfried
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er Georg Peithner Lichtenfels Anita Beckers Antoinette Aeroldi Dirk Maas Peter Weibel Gregory Garvey ...
Red Streamlines
2003
The essential component of wavy flow is the vortex. In isolation, a single vortex simply influences its surroundings to orbit around itself at a speed proportional to the inverse square of the distance to the vortex's axis. When a large number of
Rigid Waves
1992
-
1993
video
... of identifying reflection with the disintegrative creation of autonomous self-images-images of the self that are not
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ed by the self they image. It is an attempt to look at oneself from the outside or even from behind, to stand next to oneself...
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