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  • ...Simon Schiessl is an engineer and artist. Trained in physics and engineering in Munich and Berlin, he designs and fabricates interactive media systems. Currently, he is a candidate for an MS degree at the MIT Media Lab. Schiessl is an artist whose material is...
  • Grass - video
    ... 1969, the National Science Foundation (NSF) began their support of Csuri's research, including Real-time art objects. These interactive art objects allowed the artist or viewer to determine aspects of the final aesthetic object, such as its color, path, and...
  • ... a sheet hanging on a line showing the image of bedsheets hanging to dry, a dress showing the image of a naked body. The interactive objects included a simulated brick wall which inflated and expanded out towards the viewer when a switch was stepped on.
  • ... the image of a naked female body, front and back (collection of the Stedelijk Museum, Amsterdam) A series of kinetic and interactive objects included: Photographs of bricks, together making a brick wall that inflated and expanded out towards the viewer...
  • ...Noriyuki Fujimura is a Japanese Media Artist and architect exploring the field between interactive art and public space. Research Fellow, STUDIO for Creative Inquiry, Carnegie Mellon University.He has a BA in architecture (Tokyo National University of Fine Arts and...
  • ... and virtual place, achieving in art a strange oscillation between spaces. Yet, I work with animations, net-artworks, interactive and site-specific video-installations and AR / VR video-sculptures, sometimes made of Carrara marble, fresco technique,...
  • ... technologies are not fundamentally new, his projects imagine a “what could have been” scenario between the disciplines of interactive art, early and pre-cinema, and architecture. He is currently developing a series of works that deal with the intersection of...
  • ...Event: 1st Annual Conference on Computer Graphics and Interactive TechniquesInstitution: ACM SiggraphComment:
  • ... This technique was used for two Genesis concert tours. The presentation at 'de Appel' explored the possibilities of an interactive electronic connection between a live cello performance and the consequent articulation of laser-generated light forms.