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Seed/Tree
2005
-
2007
video
SEED /TREE (2005) Installation/Butoh Performance/Live Electronics This project was created during an “artist in residence” program at the ZKM (Centre for Media Art in Karlsruhe, Germany). Feelings, associations, mental images and spontaneous
Katherine Nolan
Katherine Nolan is a contemporary artist who works primarily with video, image and performance. She is also a lecturer, and curates with MART, visual arts organisation. Her work is currently concerned with states of inhabiting the body and
Cáceres Abierto 2017
2017
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2017
... of proposals that are symbolic as well as
practical
, respectful of the community and the...
Light Sounds Live!
2008
video
Light Sounds Live! (2008, live digital media audio-visual performance) David R. Burns uses his imagination and custom digital performance technology to create Light Sounds Live!, a live interactive performance. Using projected color and light, Burns
Burnish
2015
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2017
Burnish is an interactive performance installation that premiered at the 56th Venice Biennale 2015 with 9dragonheads in the official collatoral event Jump Into the Unknown; and at Toronto's Theatre Center in May 2015. It was remounted for
Elevator's Music
2007
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2007
The site-specific installation “Elevator’s Music”, visits the topic of synthetic creatures becoming sentient. What if centuries from now, we had the technology to make any machine self-aware? In this distant future, if an elevator could be
Level of Nothingness
2009
video
"Levels of Nothingness," 2009 Sept 17 - 21, 2009 The Guggenheim Museum, New York performance, installation dimensions variable Inspired by Vasily Kandinsky’s Yellow Sound (1912), Rafael Lozano-Hemmer created an installation where colors are
Soft Borders International, São Paulo, Brazil
2010
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2010
Burns, David R. “Borders, surveillance, and control in the digital age,” Soft Borders International Network Conference and Festival on New Media Art, peer-reviewed, São Paulo, Brazil, 2010
Early Performances
1980
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1982
In the early '80s Eduardo Kac gave weekly performances on the streets of Cinelandia, the Bohemian center of Rio de Janeiro. He also performed at theaters, galleries, and on beaches. He concluded his performance project with a celebration of the
Memories of Certain Elements
1982
This was a performance installation at De Lantaren theatre in Rotterdam. When entering the theatre, members of the audience looked through an augmented-reality projection console, where they saw an animated computer-generated image of a swing that
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